Artist statement

Her hybrid practice combines acrylic painting with digital art, exploring the relationship between the natural world and an increasingly technological reality. She begins with digital collages, manipulating the images through databending and incorporating glitches, pixels, transparency, and visual references to early computer interfaces and cyberculture. These compositions are then translated on the canvas and meticulously recreated with acrylic paint, airbrush, and stencil techniques. No collage or printing techniques are used in her works. 

Through this process, the digital is brought into the physical world. The contrast between the precision and sterility of technology and the organic presence of animals is central to her work. She imagines technology as something that gradually engulfs nature, almost like a parasite, creating a space where the organic and the artificial coexist.

By merging digital processes with the materiality of painting, she seeks to push the painting medium beyond its traditional boundaries and create new ways of experiencing familiar references.